The Confessional: A Group Show

The project

The Confessional: A Group Show, in collaboration with Channel 5. At the center of Channel 5’s presentation is a confessional booth, inviting visitors into an environment of candid exchange and unfiltered expression. Developed by the Channel 5 team, the project extends the independent media outlet’s documentary approach into a physical setting, bringing together a creative circle of collaborators whose practices span painting, mixed media, documentary photography, and film.

Featuring work by founder Andrew Callaghan alongside Andrew Durgin-Barnes, Jaque Fragua, Juan Jimenez, and Ade “Polo Cutty” Ogunmowo, the presentation reflects the diverse perspectives and visual languages that shape the Channel 5 universe. Moving between personal observation, cultural commentary, and documentation of everyday American life, the artists offer distinct interpretations of the world around them.

Andrew Callaghan

Untitled, 2026 · Mixed media

Andrew Callaghan is a journalist and filmmaker known for deadpan, man-on-the-street interviews that capture the more eccentric corners of American life. After building a following with the viral series All Gas No Brakes, he launched Channel 5 in 2021 as an independent digital journalism outlet. For InScope, Callaghan presents Untitled (2026), a new mixed-media work.

Instagram @andreww.me

Andrew Durgin-Barnes

Field Notes Volume 1 Cover Art, 2026 · Oil on linen

Born in San Diego, CA, Andrew Durgin-Barnes has lived throughout the US, drawing inspiration from an amalgam of the varied landscapes and sceneries of his life. His paintings express narratives through a conceptual collage of his own history, combined with classical motifs of allegory, to draw on the emotions that form the human condition. The influences of Classicism, a mastery of traditional mediums and the forgotten practice of plein-air painting, are tangibly interlaced with elements from graffiti and urban sprawl, creating surreal scenes that ignore a separation of time and space, juxtaposing an old world with the new one.

This painting was created for the cover of Andrew Callaghan’s Field Notes Vol. 1. It depicts Andrew trudging through the sands of Bombay Beach, California, on his Coleman mini bike, his beloved dog Arnold riding on his shoulder, and a pen in his pocket ready to journal his adventures.

Instagram @a.e.d.barnes

Jaque Fragua

Flag Redacted, 2026 · Oil on canvas

Jaque Fragua, aka Mobil Savage, is a Native American artist known for his powerful and thought-provoking works. He is originally from the Pueblo of Jemez and grew up in the Southwestern United States. Fragua’s art often addresses themes of identity, culture, history, and activism, particularly focusing on issues affecting Indigenous communities in the United States and beyond. His artistic practice encompasses a diverse range of mediums, including studio painting, mural creation, sculpture, installation, and public art. Fragua is recognized for his ability to blend traditional Indigenous aesthetics with contemporary artistic practices, creating pieces that resonate with both Indigenous and non-Indigenous audiences. Through his art, Fragua aims to challenge stereotypes, raise awareness about Indigenous issues, and celebrate the resilience and cultural richness of Native peoples.

This piece is about the reduction and removal of constitutional rights when deemed fit for an agenda.

Instagram @8bitlobotomy

Juan Jimenez

What a Time to Be Alive, 2024 · Digital photography, archival pigment print on photographic paper

A filmmaker and photographer who directs, produces, and shoots documentary content for Channel 5. A road dog at heart, much of my work comes from being on the move, meeting people, and documenting the places and stories I encounter along the way. Outside of filmmaking, I shoot exclusively on film, capturing candid moments, overlooked details, and the everyday life happening around me. My photography is an extension of the way I see the world: raw, spontaneous, and rooted in real experiences.

Instagram @juan.jjimenez

Ade “Polo Cutty” Ogunmowo

The Martyr Complex, 2026 · Acrylic on canvas

Ade Ogunmowo (b. 1989) is a multidisciplinary artist from Los Angeles, CA, known for his thought-provoking and multifaceted body of work. His art, which spans video, sculpture, installation, painting, and performance, draws intuitively from advertising, the internet, and street culture. Ade crafts ambitious narratives and enigmatic stories, often centered around his series of paintings that ignite social conversations. His work probes the complex layers of American culture and contemporary society, addressing controversial topics with a unique blend of comedy and earnestness.

Ade Ogunmowo was born in Los Angeles. He holds a degree in Advertising from the Academy of Art University in San Francisco. Ade’s early forays into the art world were marked by a blend of photojournalism, design, and graffiti, establishing him as a pioneering figure in meme culture. Beyond the gallery, Ade has made a significant impact in the realms of fashion and design. His influence extends into his role as an internet personality, where his travel across the US for photojournalism and street art projects has garnered considerable attention.

His art is a playground of colors and forms, where societal observations meet a comedic lens, offering relief and reflection in equal measure. Themes of race, inequality, and cultural behaviors are recurrent in his works, inviting viewers to engage in deeper dialogues. His work continues to delve into the intersection of art, culture, and social issues, promising an ongoing contribution to critical conversations in contemporary society. Ade Ogunmowo stands as a multifaceted artist whose work not only reflects the zeitgeist but also challenges and reshapes it. Through his unique blend of humor and social commentary, Ade continues to leave an indelible mark on the art world and beyond.

Through my work, I explore themes of identity, culture, and the complexities of modern life. Drawing on personal experiences and a deep connection to my heritage, I create pieces that provoke thought, challenge perceptions, and inspire dialogue. My art often combines realism with surreal elements to reflect the tension between reality and imagination, while also shedding light on overlooked stories and emotions.

I am inspired by the intersections of community, history, and contemporary culture, weaving these influences into works that resonate both visually and conceptually.

At the core of my practice is a commitment to authenticity—every painting is an invitation to engage, question, and connect.

Instagram @polo_cutty